過去の勉強会

2021年

26: 2021/09/25: Monelle, R. 2006. The Musical Topic: Hunt, Military and Pastoral. Bloomington: IUP. [Chapter 12. “The Pastoral Signified: The Myth”] (担当: R. N.)

25: 2021/08/29: Monelle, R. 2006. The Musical Topic: Hunt, Military and Pastoral. Bloomington: IUP. [Chapter 7. “The Topic Established”] (担当: A. Y.)

24: 2021/08/14: Monelle, R. 2006. The Musical Topic: Hunt, Military and Pastoral. Bloomington: IUP. [Chapter 6. “Musical Hunts”; Chapter 7. “The Topic Established”] (担当: M. O.; A. Y.)

23: 2021/07/11: Monelle, R. 2006. The Musical Topic: Hunt, Military and Pastoral. Bloomington: IUP. [Chapter 6. “Musical Hunts”] (担当: M. O.)

22: 2021/06/20: Monelle, R. 2006. The Musical Topic: Hunt, Military and Pastoral. Bloomington: IUP. [Chapter 6. “Musical Hunts”] (担当: M. O.)

21: 2021/05/22?: Monelle, R. 2006. The Musical Topic: Hunt, Military and Pastoral. Bloomington: IUP. [Chapter 5. “Signified: Hunts Noble and Ignoble”] (担当: M. H.)

20: 2021/04/18: Monelle, R. 2006. The Musical Topic: Hunt, Military and Pastoral. Bloomington: IUP. [Chapter 4. “Signifier: The Hunting Horn”] (担当: A. Y.)

19: 2021/04/04: Monelle, R. 2006. The Musical Topic: Hunt, Military and Pastoral. Bloomington: IUP. [Chapter 3. “Signifier and Signified in Music”] (担当: H. Y.)

18: 2021/03/21: Monelle, R. 2006. The Musical Topic: Hunt, Military and Pastoral. Bloomington: IUP. [Chapter 2. “The Literary Source of Topic Theory.”] (担当: K. O.)

17: 2021/02/21: Monelle, R. 2006. The Musical Topic: Hunt, Military and Pastoral. Bloomington: IUP. [Chapter 1. “Topic and Expression.”] (担当: T.)


16: 2021/01/31: Agawu, K. 1991. Playing with Signs: A Semiotic Interpretation of Classic Music. Princeton: PUP. [Chapter 5. “A Semiotic Interpretation of the First Movement of Haydn’s String Quartet in D Minor, op. 76, No. 2.”] (担当: A. Y.)

15: 2021/01/08: Agawu, K. 1991. [Chapter 4: “A Semiotic Interpretation of the First Movement of Mozart’s String Quintet in C Major, K. 515” (2)] (担当: A. Y.)

2020年

14: 2020/12/20: Agawu, K. 1991. [Chapter 3: “Introversive Semiosis: The Beginning-Middle End Paradigm.” (3); Chapter 4: “”A Semiotic Interpretation of the First Movement of Mozart’s String Quintet in C Major, K. 515” (1)] (担当: K. O.; A. Y.)

13: 2020/11/22: Agawu, K. 1991. [Chapter 3: “Introversive Semiosis: The Beginning-Middle End Paradigm.” (2)] (担当: K. O.)

12: 2020/11/03: Agawu, K. 1991. [Chapter 3: “Introversive Semiosis: The Beginning-Middle End Paradigm.” (1)] (担当: K. O.)

11: 2020/10/03: Agawu, K. 1991. [Chapter 2: “Extroversive Semiosis: Topics as Signs.” (IV (後半))] (担当: M. Y.)

10: 2020/09/12: Agawu, K. 1991. [Chapter 2: “Extroversive Semiosis: Topics as Signs.” (IV)] (担当: M. Y.)

09: 2020/08/23: Agawu, K. 1991. [Chapter 2: “Extroversive Semiosis: Topics as Signs.” (I-III)] (担当: M. Y.)

08: 2020/07/19: Agawu, K. 1991. [Preface, Chapter 1: “Introduction.”] (担当: A. Y.)

07: 2020/06/28: Ratner, L. 1991. “Topical content in Mozart’s keyboard sonatas”, Early Music, Volume XIX, Issue 4: 615–619.  (担当: A. Y.)


06: 2020/05/24: Ratner, L. 1980. Classic Music: Expression, Form, and Style. New York: Schirmer: 18-30 [“STYLES” 以降]. (担当: H. N.)

05: 2020/05/02: Ratner, L. 1980. Classic Music: Expression, Form, and Style. New York: Schirmer: 9-18 [“TYPES” 部分]. (担当: H. N.)


04: 2020/04/05: Mirka, D. 2014. Introduction. The Oxford Handbook of Topic Theory. Oxford: OUP: 21-43. (担当: M. N.)

03: 2020/03/13: Mirka, D. 2014. Introduction. The Oxford Handbook of Topic Theory. Oxford: OUP: 1-21. [Section 2まで] (担当: M. N.)


02: 2020/02/25: McKay, N. 2007. On Topics Today. Zeitschrift der Gesellschaft für Musiktheorie 4/1: 168-183. [論文後半部分] (担当: A. Y.)01: 2020/02/09: McKay, N. 2007. On Topics Today. Zeitschrift der Gesellschaft für Musiktheorie 4/1: 159-168. [論文前半部分] (担当: A. Y.)